Since her beginnings studying Applied Theatre Studies in Gießen, her first works at the German State Theatres in the early 90s with teachers such as Heiner Müller, George Tabori and Gerhard Bohner, several years at the Mousonturm in Frankfurt, and with her free-lance productions made in coproduction with German and international theatres and festivals, she points to social sore spots, creating total works of art that go far beyond traditional dance-theatre.