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philippe MURCIA

I have been working with various artistic teams for 15 years, either directly as I do with the Théâtre du Radeau (François Tanguy), the Nathalie Béasse company, or indirectly through various diffusion or production structures such as L’espal in Le Mans, le Festival de Marseille. From theatre to dance and visual arts, thanks to recognized or upcoming artists, I was able to grasp in practical terms the issues linked to the circulation and the production of the works both in a French and international context. These last few years, I also took part in La Fonderie in Le Mans, a creation centre where the space and the working time are entirely in the service of artists. That is to say, even in those times when they need to think and to work together without necessarily producing anything, just experimenting new encounters and artistic breathing.